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Updated: June 28, 2025
"Magnificent!" said the actor, pouring himself some more cocoa. Maxwell continued: "In the third act for I see that I shall have to make it the third now the scene will be in Haxard's library, after he gets home from the complimentary dinner, at midnight, and he finds a man waiting for him there a man that the butler tells him has called several times, and was so anxious to see him that Mrs.
I want to give Haxard's speech as fully as possible, for that's what I study the man in, and make my confidences to the audience about him. I shall make him butter himself, but all with the utmost humility, and brag of everything that he disclaims the merit of." The actor rose and reached across the table for the sugar. "That's a capital notion. That's new. That would make a hit the speech would."
I think I'll have it that Haxard has killed a man, a man whom he has injured; he doesn't mean to kill him, but he has to; and this fellow is knowing to the homicide, but has been prevented from getting onto Haxard's trail by the consequences of his own misdemeanors; that will probably be the best way out.
The whole episode of the love between Haxard's daughter, Salome, and Atland was simply the sweetest and freshest bit of nature in the modern drama.
He praised it warmly, but he said that it would be hard to find a woman to do the part of Salome. "That is the principal part in the piece now, you know," he added. "I don't see how," Maxwell protested. "It seems to me that her character throws Haxard's into greater relief than before, and gives it more prominence." "You've made the love-business too strong, I think.
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