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Updated: April 30, 2025
But I was not persona grata to the managers and I did not know at what door to knock, when one of my friends, Aimé Gros, took the management of the Grand-Théâtre at Lyons and asked me for a work. This was a fine opportunity and we grasped it.
The whole town has an air of almost depressing opulence, an appear- ance which culminates in the great place which sur- rounds the Grand-Theatre, an establishment in the highest style, encircled with columns, arcades, lamps, gilded cafes. One feels it to be a monument to the virtue of the well-selected bottle.
Two friends, with their backs to the orchestra were scanning those rows of elegance, that exhibition of real or false charms, of jewels, of luxury and of pretensions which showed itself off all round the Grand-Théâtre, and one of them Roger de Salnis, said to his companion, Bernard Grandin: "Just look how beautiful Countess de Mascaret still is."
Adeline Théodore, at present teacher of dancing at the Opéra shone. Poor Vizentini! His opinion of me has changed greatly since that time. We were made to understand and love each other, so he has become, with years, one of my best and most devoted friends. He first produced my ballet Javotte at the Grand-Théâtre in Lyons, which the Monnaie in Brussels had ordered and then refused.
The whole town has an air of almost depressing opulence, an appearance which culminates in the great place which surrounds the Grand-Théatre an establishment of the highest style, encircled with columns, arcades, lamps, gilded cafés. One feels it to be a monument to the virtue of the well-selected bottle.
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