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Updated: June 4, 2025
He had himself thought about Pilate's figure just what Golenishtchev said. The fact that this reflection was but one of millions of reflections, which as Mihailov knew for certain would be true, did not diminish for him the significance of Golenishtchev's remark. His heart warmed to Golenishtchev for this remark, and from a state of depression he suddenly passed to ecstasy.
"I think I've had the pleasure of meeting you," he said, looking uneasily first at Anna, then at Vronsky, in fear of losing any shade of their expression. "To be sure! We met at Rossi's, do you remember, at that soirée when that Italian lady recited the new Rachel?" Golenishtchev answered easily, removing his eyes without the slightest regret from the picture and turning to the artist.
She blushed when Vronsky brought in Golenishtchev, and he was extremely charmed by this childish blush overspreading her candid and handsome face.
On learning from the porter's wife, who came out to them, that Mihailov saw visitors at his studio, but that at that moment he was in his lodging only a couple of steps off, they sent her to him with their cards, asking permission to see his picture. The artist Mihailov was, as always, at work when the cards of Count Vronsky and Golenishtchev were brought to him.
They assumed an air of fully comprehending the import and force of the situation, of accepting and even approving of it, but of considering it superfluous and uncalled for to put all this into words. Vronsky at once divined that Golenishtchev was of this class, and therefore was doubly pleased to see him.
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