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In translating the rest of Plato's works, and this, as the reader may easily see, form by far the greatest part of them, I have had no assistance from any translation except that of Ficinus, the general excellency of which is well known to every student of Plato, arising not only from his possessing a knowledge of Platonism superior to that of any translators that have followed him, but likewise from his having made this translation from a very valuable manuscript in the Medicean library, which is now no longer to be found.
The Platonic Academy, whose most celebrated member, Marsilius Ficinus, translated Plato and the Neoplatonists into Latin, was founded in 1440 on the suggestion of Georgius Gemistus Pletho under the patronage of Cosimo dei Medici.
Collins is certainly right; the author of Troilus makes Ulysses quote Plato as "the author" of a remark, and makes Achilles take up the quotation, which Ulysses goes on to criticise. There were Latin translations of Plato; the Alcibiades I was published apart, from Ficinus' version, in 1560, with the sub-title, Concerning the Nature of Man. Who had read it? Greenwood's Unknown?
It was natural, therefore, to the contemporaries of Poggius and Æneas Sylvius, of Ficinus and Politian, that the art of the Romans and Greeks should, like their poetry, philosophy, and even their virtues, be of transcendent and unqualified splendour.
But the will and science of Nature, are in these words truly expressed by Ficinus: "Potest ubique Natura, vel per diversa media, vel ex diversis materiis, diversa facere: sublata vero mediorum materiatumque diversitate, vel unicum, vel similimum operatur, neque potest quando adest materia non operari"; "It is the power of Nature by the diversity of means, or out of diversity of matter, to produce divers things: but taking away the diversity of means, and the diversity of matter, it then works but one or the like work; neither can it but work, matter being present."
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