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Updated: May 8, 2025
BLOOM: Acid. nit. hydrochlor. dil., 20 minims Tinct. nux vom., 5 minims Extr. taraxel. iiq., 30 minims. Aq. dis. ter in die. CHRIS CALLINAN: What is the parallax of the subsolar ecliptic of Aldebaran? BLOOM: Pleased to hear from you, Chris. JOE HYNES: Why aren't you in uniform? BLOOM: When my progenitor of sainted memory wore the uniform of the Austrian despot in a dank prison where was yours?
In his tales, Mr. Poe has chosen to exhibit his power chiefly in that dim region which stretches from the very utmost limits of the probable into the weird confines of superstition and unreality. He combines in a very remarkable manner two faculties which are seldom found united; a power of influencing the mind of the reader by the impalpable shadows of mystery, and a minuteness of detail which does not leave a pin or a button unnoticed. Both are, in truth, the natural results of the predominating quality of his mind, to which we have before alluded, analysis. It is this which distinguishes the artist. His mind at once reaches forward to the effect to be produced. Having resolved to bring about certain emotions in the reader, he makes all subordinate parts tend strictly to the common centre. Even his mystery is mathematical to his own mind. To him x is a known quantity all along. In any picture that he paints, he understands the chemical properties of all his colors. However vague some of his figures may seem, however formless the shadows, to him the outline is as clear and distinct as that of a geometrical diagram. For this reason Mr. Poe has no sympathy with Mysticism. The Mystic dwells in the mystery, is enveloped with it; it colors all his thoughts; it affects his optic nerve especially, and the commonest things get a rainbow edging from it. Mr. Poe, on the other hand, is a spectator ab extr
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