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Updated: May 25, 2025
"I could have sworn," he thought to himself, "that she was making fun of Ebling's proposition to read to her to-day when she said one could stand hearing a poem a good many times." And he actually went on repeating passage after passage, while she sat with her hands folded and her eyes fixed dreamily, drinking it in like distant music sounding all the way from the Spanish shores.
Bruce, pleading business, although he knew there was not a soul stirring down street, and nothing more to be done in his office than in that of Mortimer Lightwood, Esq., declined rather ungraciously and stalked off. "A born coquette!" he muttered with his hat pulled over his eyes. "Ebling's a fool: Ruth Stanley is worth a dozen of her."
"If the siren had that effect on you, a hardened bachelor, consider how it would go with Ebling." "Ebling's heart is supposed to be preoccupied," said Bruce: "mine is an 'aching void."
But in this latter capacity he is gifted indeed, and is peculiarly fitted to furnish forth with music Ebling's "Lobgesang auf die Harmonie." In his setting of this poem he has used a soprano and a barytone solo with male chorus and orchestra. The harmonic structure throughout is superb in all the various virtues ascribed to harmony. The ending is magnificent.
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