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The drip-mould of one of these arches is carved with a shallow zigzag ornament which is repeated on the western door, a door whose slightly pointed arch may mean a rather later date than the rest of the church.
It has only two orders left, of which the outer, though under a deep arch, has a billet-moulded drip-mould, and its voussoirs each carved with a figure on the outer and delicate flutings on the under side, while the inner has on both faces animals and monsters which, better wrought than those at Villar, are even more like so many in the south-west of France.
On the next band are large curly leaves still Gothic in style and much undercut; and in the last, four-leaved flowers set some distance one from the other. At the top, the drip-mould grows into a large trefoil with crockets outside and an armillary sphere within.
This with the drip-mould springs from a billet-moulded abacus resting on broad square piers. Of the two inner carved orders, the outer is covered on both faces with innumerable animals and birds, and the other with a delicate pattern of interlacing bands. These two spring from strange square abaci resting on the carved capitals of round shafts, two on each side.
Above, the crocketed drip-mould is carried up in an ogee leaving room for the coronation of the Virgin over the apex of the arch.
First is a wide drip-mould carved on the outer side with a zigzag threefold ribbon, and on the inner with three rows of what looks like a rude attempt to copy the classic bead-moulding; then the first order, of thirteen voussoirs, each with the curious figure of a strangely dressed man or with a distorted monster.
Outside, instead of a drip-mould, runs a broad band covered with plaited ribbon. On the tympanum, which rests on corbels supported on one side by the head of an ox and on the other by that of a man, are a large circle enclosing a modern inscription, and two smaller circles in which are the symbols of the Sun and Moon upheld by curious little half-figures.
It has little trace of Manoelino except in the bent curves of the upturned drip-mould, and in the broken lines of the two smaller doors which open under the plain tympanum. The nave window is of two lights with simple tracery, but in the chancel, which was ready by 1495, the window shows more Manoelino tendencies.
The outer has a rich drip-mould covered with a curious triple arrangement of circles, has flutings on the one face and a twisting ribbon on the other, while the next has leaf flutings on both faces, and both a roll-moulding on the angle.
The church is lit by very small windows which are indeed mere slits, and by a small round opening in the gable above the narthex. The narthex is entered by a perfectly plain round-headed door with strong impost and drip-mould, while above the corbels which once carried the roof of a lean-to porch, a small circle enclosing a rude unglazed quatrefoil serves as the only window.
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