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Updated: June 28, 2025
When the Medici returned to power and transferred their residence from the Palace of the Via Larga, which they had occupied, to the Palace of the Seigneurie, Cosmo wished to change the Council Hall into an audience chamber, and charged the presumptuous Bacchio Bandinelli, whose designs had attracted him, with various alterations of an important character; but the sculptor had undoubtedly presumed too much on his talent as an architect, and in spite of the assistance of Giuliano Baccio d'Agnolo, whom he called to his aid, he worked for ten years without being able to conquer the difficulties which he had created for himself.
From the tax papers of a few years later it is proved that Andrea was born in 1487. His full name is Andrea d'Agnolo di Francesco. It is by mistake that he has been called Vannucchi. His parents were young, his father being only twenty-seven years of age at Andrea's birth.
Time would fail to tell of all the architects who crowd the first half of the sixteenth century of Antonio di San Gallo, famous for fortifications; of Baccio d'Agnolo, who raised the Campanile of S. Spirito at Florence; of Giovanni Maria Falconetto, to whose genius Padua owed so many princely edifices; of Michele Sanmicheli, the military architect of Verona, and the builder of five mighty palaces for the nobles of his native city.
A model may be seen in the Accademia at Florence ascribed to Baccio d'Agnolo, and there is a drawing of a façade in the Uffizi attributed, to Michelangelo, both of which have been supposed to have some connection with S. Lorenzo. It is hardly possible, however, that Buonarroti's competitors could have been beaten from the field by things so spiritless and ugly.
Thus, when Giovan Francesco's work was to be valued, and he had chosen on his side Michelagnolo Buonarroti, the body of Consuls, at the persuasion of Ridolfi, chose Baccio d'Agnolo; at which Rustici complained, saying to the men of that body, at the audience, that it was indeed something too strange that a worker in wood should have to value the labours of a statuary, and he as good as declared that they were a herd of oxen, but Ridolfi answered that, on the contrary, it was a good choice, and that Giovan Francesco was a swollen bladder of pride and arrogance.
One evening in the year 1512 there were at supper in the garden that Feo d'Agnolo the hunchback, a fife-player and a very merry fellow, had in the Campaccio, with Feo himself, Ser Bastiano Sagginati, Ser Raffaello del Beccaio, Ser Cecchino de' Profumi, Girolamo del Giocondo, and Il Baia, and, while they were eating their ricotta, the eyes of Baia fell on a heap of lime with the trowel sticking in it, just as the mason had left it the day before, by the side of the table in a corner of the garden.
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