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We entered the Porta Camollia at half-past five o'clock in the evening, and trailed up the steep Via di Citta, between houses like solemn cliffs, and in the midst of a throng which, in the dusk of that narrow pass, seemed like dense clouds, lit up by innumerable moons, to our lodging at an inn called Le Tre Donzelle.

Finally, after having been long expected in Genoa by Prince Doria, Domenico made his way there, but with great reluctance, being a man who was accustomed to a life of peace and contented with that which his wants required, and nothing more; besides which, he was not much used to making journeys, for the reason that, having built himself a little house in Siena, and having also a vineyard a mile beyond the Porta a Camollia, which he cultivated with his own hand as a recreation, going there often, it was a long time since he had gone far from Siena.

Remember, I know your Sebastian; and know also Il Sodoma's, which he made as a banner for the Confraternity of that famous Saint In Camollia." "I seek the essence of fact," he replied; "which, believe me, never lay in the displacement of an arrow-point; no, nor in the head of a boil.

You must know, then, that there were once in Siena, as I have understood aforetime, two young men in easy enough case and of good city families, whereof one was named Spinelloccio Tanena and the other Zeppa di Mino, and they were next-door neighbours in Camollia.

Not long afterwards, his wound being healed, he went secretly to Siena and took the ground-plan of that city, and of the earthworks that the people of Siena had made at the Porta Camollia; which plan of fortifications he then showed to the Lord Duke and to the Marchese di Marignano, making it clear to them that the work was not difficult to capture or to secure afterwards on the side towards Siena.

"Very well, signorina, but you are becoming too devout. Bada, figlia mia!" Siena is a city dedicated to the Virgin, and the feast of her Assumption is the greatest of all her red-letter days. The streets had echoed at dawn to the feet of contadini coming in by the Porta Romana, the Porta Camollia, the Porta Pespini.

As the church bells rang the Ave Maria the people came to them by Camollia and San Domenico, to see each other and to talk over the news of the day.

But to return to his works: he painted for the Company of S. Bastiano in Camollia, beyond the Church of the Umiliati, on a banner of cloth which is carried in processions, in oils, a nude S. Sebastian, bound to a tree, who is standing on the right leg, with the left in foreshortening, and raises the head towards an Angel who is placing a crown upon it.