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Peri and Caccini were professional singers, and their experiences were not only those of students, but also those of practitioners. Their revolt against the contrapuntal lyric drama was largely, though not wholly, based on deep-seated objection to the unintelligibility of the text.
Yet if we permit ourselves to believe that the lyric solo made but a single spasmodic appearance in the "Orfeo" and had to be born again in the artistic conversion brought about by the labors of Galilei and Caccini, we shall be deceived.
But it was in 1602 that he published his "Cento concerti ecclesiastici a 1, a 2, a 3, e a 4 voci, con il basso continuo per sonar nell' organo." The basso continuo had been in use for some time before this. It appears in the score of Peri's Euridice as well as in the "Nuove Musiche" of Caccini.
Caccini, at the beginning of the seventeenth century, broke away from the contrapuntal music of the church because it made the words unintelligible. Tosi, who published a vocal method in 1723, a little less than a century and a quarter after Caccini's declaration, still insisted on the importance of clear diction.
As an experiment, they prepared a small work called "Dafne" for private presentation at the palace of the Corsi. Rinuccini was the first of a long and usually incompetent lineage of librettists. The music was written by Peri and Caccini.
A demonstration was about this time made by the opposite party, in the person of Caccini, a Dominican friar, who made a personal attack upon Galileo from the pulpit. This violent ecclesiastic ridiculed the astronomer and his followers, by addressing them sarcastically in the sacred language of Scripture "Ye men of Galilee, why stand ye here looking up into heaven?"
The god descended from the skies to the music of viols, flutes and trombones. Later when he celebrated his victory and the acclaiming Greeks surrounded him, lutes, trombones, harps, viols and a horn united with the voices. Strozzi wrote the fourth intermezzo with music by Caccini.
But this species of warfare was disapproved of even by the church; and Luigi Maraffi, the general of the Dominicans, not only apologised to Galileo, who had transmitted to him a formal complaint against Caccini, but expressed the acuteness of his own feelings on being implicated in the "brutal conduct of thirty or forty thousand monks."
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