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Updated: May 14, 2025
Singers of all sorts, male and female, came for a hearing. One day it was Marie Cabel, still youthful and dazzling both in voice and beauty. Other days impossible tenors wasted his time. When the master sent word that he wasn't coming this happened often I used to go to the library, and there, as a matter of fact, I completed my education.
After long hard work, which the author demanded, Madame Cabel and MM. Faure and Sainte-Foix gave a perfect performance. There was a good deal of criticism of having the hunter, the reaper, and the shepherd sing a prayer together at the beginning of the third act. This was not considered theatrical; to-day that is a virtue.
"Dinorah," an opera in three acts, founded upon a Breton idyl, words by Barbiere and Carré, was first produced at the Opera Comique, Paris, April 4, 1859, under the title of "Le Pardon de Ploermel." It contains but three principal characters, and these were cast as follows: Dinorah, Mme. Cabel; Corentin, M. Sainte-Foy; and Höel, M. Faure.
The old woman pretended to be furious, but that day Cabell Graeme carried off more than Mam' Lyddy. When Cabel and pretty Betty were married, Mam' Lyddy threw in her lot with "her lamb."
He was a cousin of one of the best loved actors who ever trod the American stage Joseph Jefferson; but their careers were very different, for Jefferson, in the last quarter century of his life confined himself to a few parts practically to four, Bob Acres, Rip Van Winkle, Dr. Pangloss and Cabel Plummer. In these he was inimitable.
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