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Updated: May 11, 2025


"Were not you, at that very time, in full possession of the great wealth inherited from your father and mother, and yet did you not work far beyond your strength? Bryaxis I heard him was full of your praises, and yet entreated my father to use all his influence, as guardian, to warn you against overwork." "My kind master!" cried Myrtilus, deeply moved. "He was as anxious about me as a father."

Daphne eagerly asked what he meant by these words, and Myrtilus replied: "Surely you know how he became a sculptor. Your father had intended him to be his successor in business, but Hermon felt the vocation to become an artist probably first in my studio awake with intense force. While I early placed myself under the instruction of the great Bryaxis, he was being trained for a merchant's life.

"Were not you, at that very time, in full possession of the great wealth inherited from your father and mother, and yet did you not work far beyond your strength? Bryaxis I heard him was full of your praises, and yet entreated my father to use all his influence, as guardian, to warn you against overwork." "My kind master!" cried Myrtilus, deeply moved. "He was as anxious about me as a father."

For the others it is impossible to do much more here than to mention the most important names: Leochares and Timotheus, whose civic ties are unknown, Bryaxis and Silanion of Athens, and Euphranor of Corinth, the last equally famous as painter and sculptor.

The temple ought to be closed, bloody sacrifices to the god should be prohibited but his image the noblest work of Bryaxis to mutilate, or even to touch that would be a rash, a fateful deed, treason to the city and an outrage on the world.

The figures of a Dionysiac procession, forming the frieze, looked down upon the feasters a fine relievo that had been designed and modelled for Ptolemy Soter by the sculptor Bryaxis, and then executed in ivory and gold.

Damia, who only a few minutes since had spoken with such determined encouragement to her son, had terrible visions of the Imperial legions putting Olympius to rout, with the Libyans under Barkas and the Biamite rabble under Pachomius; storming the Serapeum and reducing it to ruin: Firebrands flying through its sacred halls, the roof giving way, the vaults falling in; the sublime image of the god the magnificent work of Bryaxis battered by a hail of stones, and sinking to mingle with the reeking dust.

Blackened patches on the mosaic pavement showed where fires had been kindled; the colonnades were turned into drying-grounds for the soldiers' linen, and a rope on which hung some newly washed clothes was wound at one end round the neck of a Venus from the hand of Praxiteles, and at the other round the lyre of an Apollo fashioned in marble by Bryaxis.

She therefore employed Bryaxis, Scopas, Timotheus, and Leocarus, four of the most renowned sculptors and architects of the golden age of Grecian art, to erect that famous mausoleum which was accounted one of the seven wonders of the world, and gave its name to all similar structures in succeeding ages.

The decoration and perfection of the different façades were undertaken by different artists in emulation with each other: Leochares, Bryaxis, Scopas, Praxiteles, and, as some think, Timotheus; and the distinguished excellence of their art made that building famous among the seven wonders of the world.

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