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But while our dealers and students and millionaires throng the studios of Paris and Munich, and our eyes are being daily educated to demand above all things technique, our brains are constantly being worked upon by a stream of art-literature from England. Taste pulls us one way identity of English speech, with consequent openness to English ideas, pulls us the other.
But, as a rule, he deals with his impressions of the work as an artistic whole, and tries to translate those impressions into words, to give, as it were, the literary equivalent for the imaginative and mental effect. He was one of the first to develop what has been called the art-literature of the nineteenth century, that form of literature which has found in Mr. Ruskin and Mr.
What we do find is a very widespread art-literature and talk of art, a large number of working artists varying in temperament, and a vast horde of amateurs, who are not content to be patrons, but yearn also to be practisers of art. In England theories of art are more carefully discussed and more widely diffused than they are in any other country.
Ruskin's works and they are amazingly manifold a strong and intense purpose runs, given to the highest and noblest ends; and though their author at times wearies his reader by his diffuseness and his digressions, and to some is almost fanatical in his reverence for art, he is ever imaginative and eloquent, and has created for us a new, instructive, and uniquely fresh and thoughtful body of art-literature.
A keen regard for all that concerns art, a desire for its national development, an enlightened standard of criticism, and with it the most eloquent art-literature of any tongue, have all recently sprung into existence in our motherland. All honor to those generous spirits that have produced this, and honor to the nation that so wisely expends its wealth! A noble example for America!
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