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Updated: May 22, 2025
"This semicircular end, this apsidal shell, with the chapels that surround the choir, simulates the Crown of Thorns on the Head of Christ.
The clerestory windows are dwarfed, and the height of the side aisles is felt to be out of all proportion to that of the nave. Moreover, there is nothing of the wonderful skill of design in the apsidal chapels, that is seen at Amiens, Vezelai, Beauvais, &c. Instead of forming an integral portion of the plan, they are mere excrescences in the sides of the apse.
Thomas, is very noticeable: to some extent it helps to give one an impression of the great length of the whole choir, with the chapel beyond. The eastern transepts and chapels still have their apsidal chapels almost as they were built by Conrad.
An unusual feature is the circumambient aisles to the transepts and the suggestion that a trefoil apsidal termination was originally thought of, when the rebuilding was taken in hand in the twelfth century.
One of the most glaring instances of injudicious restoration is to be met with in the apsidal chapel attached to the eastern side of the south transept. This work was carried out by the Hon. C. Harris, late Bishop of Gibraltar. The arcading is a nineteenth-century imitation of Norman work; the pavement is glaringly modern. Of what interest, it may well be asked, is such work?
Passing round the south face of the transept, we come to the #apsidal chapel# attached to its eastern wall. Quite recently a new high-pitched roof has been placed over this chantry. The illustration shows it before this change was made. Beyond this we come to the south aisle of the choir, with its three bays, each containing a round-headed window. The arrangement here is rather peculiar.
Then, walk to the right, round the south side, to observe the external architecture of the nave, aisles and choir. The latter has the characteristic rounded or apsidal termination of Continental Gothic, whereas English Gothic usually has a square end. Enter by the south portal.
Lanfranc's choir was of but two bays and an apse. This was too obviously inadequate to be tolerated by the monks. In 1096 it was pulled down and a great apsidal choir of ten bays was built over a lofty crypt, with a tower on either side the apse and an eastern transept having four apsidal chapels in the eastern walls, two in the north arm and two in the south.
Caminha lies on the Portuguese side of the estuary of the Minho, close to its mouth, and the church was begun in 1488, but was not finished till the next century, the tower indeed not being built till 1556. Like the others, the plan shows a nave and rather narrow aisles of five bays, and two square vaulted chapels with an apsidal chancel between to the east.
Four elliptical chambers, one of which is at a much higher level than the rest of the building, have been added. Here, too, as at Mnaidra, we find niches containing trilithon tables. In the first elliptical area, in which the apsidal ends are divided from the central space by means of walls of vertical slabs, a remarkable group of objects was found.
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