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Animuccia hung about him during life, sent him a message after death, and was conducted by him through Purgatory to Heaven.
It is solemn and noble in conception, and would be a great work but for a roughness which is more careless than archaic. PAOLO ANIMUCCIA, a brother of Giovanni, was also celebrated as a composer; he is said by Fetis to have been maestro di capella at S. Giovanni in Laterano from the middle of January 1550 until 1552, and to have died in 1563.
It was on those stages on wheels that, in the sixteenth and seventeenth centuries, they performed in England the ballets and dances of Amner and Pilkington; in France, the pastorals of Gilbert Colin; in Flanders, at the annual fairs, the double choruses of Clement, called Non Papa; in Germany, the "Adam and Eve" of Theiles; and, in Italy, the Venetian exhibitions of Animuccia and of Cafossis, the "Silvæ" of Gesualdo, the "Prince of Venosa," the "Satyr" of Laura Guidiccioni, the "Despair of Philene," the "Death of Ugolina," by Vincent Galileo, father of the astronomer, which Vincent Galileo sang his own music, and accompanied himself on his viol de gamba; as well as all the first attempts of the Italian opera which, from 1580, substituted free inspiration for the madrigal style.
Filippo admired Animuccia so warmly that he declared he had seen the soul of his friend fly upwards towards heaven. In 1555 Animuccia was appointed maestro di capella at St. Peter's, an office which he held until his death in 1571. He was succeeded by Palestrina, who had been his friend and probably his pupil.
For animism in philosophy, Stahl, Theoria; Bouillier, Du Principe vital. ANIMUCCIA, GIOVANNI, Italian musical composer, was born at Florence in the last years of the 15th century. At the request of St. Filippo Neri he composed a number of Laudi, or hymns of praise, to be sung after sermon time, which have given him an accidental prominence in musical history, since their performance in St. St.
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