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Like Arnolphe in L'Ecole des Femmes, he had taken on himself to rear a young wife who played the same part, though with less innocence; and like the Misanthrope, where the scene between Alceste and Celimène is "une des plus fortes qui existant au théâtre," he was deeply entangled in the wily cruelties of scornful coquetry, and we know that at times he suffered in "the hell of lovers" the torments of his own Jealous Prince.
The doctor approached her bed and said to her: "Dear lady, calm yourself, it is I." She did not recognise him and her mind continued to wander. He went on: "Come, show me your tongue, open your mouth." Mlle. Mars gazed at him, opened her mouth and said: "Here, look. Oh! all my teeth are my very own!" Celimene still lived. Frederick Lemaitre is cross, morose and kind.
The excuse hovered on his lips, de Batz reluctantly was preparing to bid him good-bye, when Celimene, speaking common-place words enough in answer to her quarrelsome lover, caused him to drop the hand which he was holding out to his friend and to turn back towards the stage. It was an exquisite voice that had spoken a voice mellow and tender, with deep tones in it that betrayed latent power.
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