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In Europe generally the nineteenth century brought to literature a resumption of religious sentiment and of the artistic sense, with their appeal to the emotions, and lyricism became the dominant note in letters. The romanticists turned to history and legend for their material, rather than to contemporary life.
Both are given sufficient elements of good to dismiss them at the close with the partial realization of their desires. One character particularly local to Spanish literature is the Indiano. In general usage the term is applied to those who enter Spain, coming from the Latin-American countries, though properly it should include perhaps only natives of the West Indies.
In the latter work he relates shamelessly and with evident respect for truth of detail many of his adventures of the period, which, as Ticknor says, "do him little credit as a young man of honor and a cavalier."
He began his exile in Valencia, but soon disobeyed the decree of banishment, which carried with it the penalty of death if broken, and entered Castile secretly to marry, early in 1588, Doña Isabel de Urbina, a young woman of good family in the capital.
Like other modern theaters, however, the Spanish theater springs directly from the Church, having its origin in the early mysteries, in which the principal themes were incidents taken from the lives of the saints and other events recorded in the Old and the New Testament, and in the moralities, in which the personages were abstract qualities of vices and virtues.
Léanse, entre otras, las siguientes obras de Beaumont y Fletcher, cuyo argumento está sacado de otras españolas: The Little french lawyer, de El Guzmán de Alfarache, pág. 2, cap. 4.º; The Spanish curate y The Maid of the Mill, de El Gerardo, de Gonzalo de Céspedes; The Chances, de La señora Cornelia, de Cervantes, y Love's pilgrimaje, de sus Dos doncellas.
MARTIN HUME, The Court of Philip IV, London, 1907. DON BERNARDO, viejo DO
These two works were followed in 1605 by his epic, Jerusalén Conquistada, an untrustworthy narration of the achievements of Richard Coeur-de-Lion and Alfonso VIII in the crusade at the close of the twelfth century.
From his works we can easily believe that both of these motives entered into it; in fact he says as much in his correspondence with the Duque de Sessa. Speaking of this phase of the poet's life, Fitzmaurice-Kelly says: "It was an ill-advised move. Ticknor, indeed, speaks of a 'Lope, no longer at an age to be deluded by his passions'; but no such Lope is known to history.
Alexander Green and Miss Ellen E. Aldrich of D.C. Heath and Company for their valuable assistance in the preparation of this book. ENRIQUE P
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