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Updated: May 11, 2025


"Now, sorceress, whom all men dread save me, you shall tell me the Tuyla incantation as the reward of my endeavors, or else a little by a little I shall destroy the hand that has wrought so many mischiefs." Freydis in the light of the seven candles showed pale as milk. She said: "I am frail and human in this place, and have no power beyond the power of every woman, and no strength at all.

Meanwhile, I avoid practise of the old Tuyla mystery for the sufficing reason that I have seen the result it has on the practitioner. A geas was upon me to make a figure in the world, and so I modeled and loaned life to such a splendid gay young champion as was to my thinking and my desire. Thus my geas, I take it, is discharged, and a thing done has an end.

"Oh, in due time," he said, "and then their antics may be diverting. But I perceive that this old Tuyla magic is practised at great price and danger, so that I am in no hurry to practise any more of it. I prefer to enjoy that which is dearer and better." "And what can be dearer and better?" "Youth," Manuel answered, "and you."

And when you make images they will be images of me. No, but I cannot have you making any more outrageous parodies like astonished corpses, and people everywhere laughing at Queen Freydis!" She took up the magical pen, laid ready as Helmas had directed, and she wrote with this gryphon's feather. "So here is the recipe for the Tuyla incantation with which to give life to your images.

And you have cheated me out of the old Tuyla mystery by putting on the appearance of loving me, and by pestering me with such nonsense as a plowman trades against the heart of a milkmaid! Now, certainly, I shall reward your candor in a fashion that will be whispered about for a long while." With that, Queen Freydis set about a devastating magic.

He fashioned the body peculiarly, in accordance with the old Tuyla mystery, and the body was as perfect as Manuel could make it, in all ways save that it had no head.

He cast down the flageolet, and touched the breast of the image with the ancient formal gestures of the old Tuyla mystery, and he sealed the mouth of the image with a kiss, so that the spirit of Niafer was imprisoned in the image which Manuel had made. Under his lips the lips which had been Misery's cried, "I love."

"For by the ancient Tuyla mystery they extract that which is best in them to inform their images, and this is apt to leave them empty of virtue. But I would have you consider that their best endures, whereas that which is best in other persons is obliterated on some battle-field or mattress or gallows That is why I have been thinking that this afternoon "

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