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Contemplate, if you can bear it, the dull daubs of Hilton and Haydon, who knew so much more about drawing and scumbling and glazing and perspective and anatomy and 'marvellous foreshortening' than Giotto, the latchet of whose shoe they were nevertheless not worthy to unloose.

I hold, too, that by its use qualities can be obtained impossible to be found in either etchings, lithographic crayon, wash, or pen and ink especially the velvet of its black. Charcoal is the unhampered, the free, the personal individual medium. No water, no oil, no palette, no squeezing of tubes or wiping of tints; no scraping, scumbling, or other dilatory and exasperating necessities.

So they skirted the great plain, and at length reached the elevation Mar Elias; from which, across a valley, they beheld Bethlehem, the old, old House of Bread, its white walls crowning a ridge, and shining above the brown scumbling of leafless orchards.

"No, dearest Miss Albertine," answered Tussmann; "I shall not go until, in compliance with the sapient advice of Thomasius, I endeavour to " and he made as if he would follow her into the corner. While this was going on, Edmund had been scumbling angrily at the background of his picture. But at this point he could contain himself no longer.

By scumbling is meant rubbing the colour into the canvas, working the brush from side to side rapidly, and laying just the #thinnest solid tone# that will cover the surface. If this is properly done, and your drawing was well fixed, you will just be able to see it through the paint.

Others may have attempted higher things, but none did what he attempted with such perfect ease and sureness. In neither of the canvases is there a sign of uncertainty, hesitation, or alteration. Each touch is put exactly where it should be and left. There is none of the scumbling and glazing and re-working so common in the English portraits of the time.