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Updated: June 23, 2025


He found Scarlatti's musicians able to play at first sight as well as his own did after rehearsals, and, the performance going off well, he was again admitted to play, this time one of his sonatas, in the royal presence. The king found the adagio so long and dry that he quitted the room, much to Corelli's mortification. But greater trouble was in store for the virtuoso.

Lucy Bertram, who sung her native melodies very sweetly, was accompanied by her friend upon the instrument, and Julia afterwards performed some of Scarlatti's sonatas with great brilliancy.

On his style Handel formed his own, and it is interesting to note that of all Scarlatti's operas the one which most strikingly foreshadows the genius of Handel is Mitridate, which Handel may possibly have seen at Venice in the winter of 1707-08.

There was in him a musical organ with stops of varied power and expression, upon which I have no doubt he could have performed Scarlatti's celebrated cat's-fugue. Whether Calvin died of old age, or was carried off by one of the diseases incident to youth, it is impossible to say; for his departure was as quiet as his advent was mysterious.

The victory of the Italians was due mainly to the marvellous singing and acting of Nicola Grimaldi, known as Nicolini, who first appeared in London in Scarlatti's Pyrrhus and Demetrius. Nicolini was not the first castrato who had been heard in England; the famous Siface had been brought over by Queen Mary of Modena in 1687.

So saying, he rose and led the way into the next room, where Miss Mannering, at his request, took her seat at the harpsichord, Lucy Bertram, who sung her native melodies very sweetly, was accompanied by her friend upon the instrument, and Julia afterwards performed some of Scarlatti's sonatas with great brilliancy.

So saying, he rose and led the way into the next room, where Miss Mannering, at his request, took her seat at the harpsichord, Lucy Bertram, who sung her native melodies very sweetly, was accompanied by her friend upon the instrument, and Julia afterwards performed some of Scarlatti's sonatas with great brilliancy.

It would appear that he was appointed to lead a composition of Scarlatti's, and on arriving at an air in C minor he led off in C major, which mistake he twice repeated, till Scarlatti came on the stage and showed him the difference. This anecdote, however, is so intrinsically improbable that it must be taken with several "grains of salt."

Even Scarlatti's Pyrrhus and Demetrius paled beside the new opera of Handel, for it had been written as far back as 1694, and was in a style which Scarlatti himself had long abandoned. Rinaldo had fifteen performances in the course of the season.

On the first occasion the musicians stopped, out of respect, in the middle of a motet of Scarlatti's; but Endymion gave orders that in future this was not to be. "I have been something of an amateur myself," he explained, "and know what is due to Art."

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