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In another we find a 'speaking beast', which reminds us at once of the Egyptian story of Anessou and Satou, as well as of the 'Machandelboom', and 'the Milk-white Doo'. We find here the woman who washes the dirty head rewarded, and the man who refuses to wash it punished, in the very words used in 'The Bushy Bride'. We find, too, in 'Nancy Fairy', the same story, both in groundwork and incident, as we have in 'the Lassie and her Godmother'; and most surprising of all, in the story of 'Ananzi and Quanqua', we find the very trait about a trick played with the tail of an ox, which is met with in a variation to 'Boots who ate a match with the Troll'. Here is the variation: 'Whilst he was with the Troll, the lad was to go out to watch the swine, so he drove them home to his father's house, but first he cut their tails off, and stuck them into the ground.

But if my song saddens you, I can, by changing its mode, bring brighter ideas to your mind." And Satou struck the cords of her harp with joyous energy, and with a quick measure which the tympanum marked with more rapid strokes. After this prelude she began a song praising the charms of wine, the intoxication of perfumes, and the delight of the dance.

The buds and the flowers, gently moving, shed their perfume through the hall, and these young women, thus wreathed, might have suggested fortunate comparisons to poets. But Satou had overestimated the power of her art. The joyous rhythm seemed to increase Tahoser's melancholy.

"Satou," she said, clapping her delicate hands together to silence the musician, who at once deadened with her palm the vibrations of the harp, "your song enervates me, makes me languid, and would make me giddy like overpowerful perfumes. The strings of your harp seem to be twisted with the vibrations of my heart and sound painfully within my breast.