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Updated: May 1, 2025
These vehicles proceeded at the rate of about three or four miles an hour. All she could tell about her journey was that she lay in the straw, in the bottom of the waggon, and read Wordsworth's Ruth, The White Doe of Rylstone. She was, throughout her life, very fond of Ruth and this was her first reading.
The already noticed comparison of any of Scott's best verse-tales with Christabel, which they formally imitated to some extent, and with the White Doe of Rylstone, which followed them, will no doubt show that Coleridge and Wordsworth had access to mansions in the house of poetry where Scott is never seen.
The White Doe of Rylstone appeared in 1815, in which year also he made a collection of his poems; Peter Bell and The Waggoner in 1819; The River Duddon and Memorials of a Tour on the Continent in 1820; Ecclesiastical Sonnets 1822; and Yarrow Revisited in 1835. In 1831 he paid his last visit to Scott; in 1838 he received the degree of D.C.L. from Durham, and in 1839 the same from Oxf.
And he acquitted himself now in a manner which, if it never quite attains the weird charm of Christabel itself at its best, is more varied, better sustained, and, above all, better suited to the story-telling which was, of course, Scott's supremest gift. It is very curious to compare Coleridge's remarks on Scott's verse with those of Wordsworth, in reference to the White Doe of Rylstone.
When the "White Doe of Rylstone" was published no prime favorite, I confess, of my own Jeffrey wrote that it had the merit of being the very worst poem he ever saw imprinted in a quarto volume. "It seems to us," he wrote, "to consist of a happy union of all the faults, without any of the beauties, which belong to his school of poetry.
Nor yet is it so much an indigestion as a feeling of plethora, due less to the frothiness of the condiments than to a certain fulness of blood and brawn. Not so of the "White Doe of Rylstone"; nay, we more incline to doze over it than to lose our breath. Wilson differs from Wordsworth as Loch Awe, with its shaggy savagery of shore, from the Sunday quietude and beauty of Rydal-Water.
Wordsworth, in a characteristic note on the White Doe of Rylstone, contrasts, with oblique depreciation of Scott, that poem and its famous predecessors in the style across the border; but he omits to notice one point of difference that in Scott the story interests, and in himself it does not.
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