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Updated: June 4, 2025
It is narrated that Beethoven received the proposition with joy, but gave only a qualified assent. There is no doubt that he would have found inspiration in the text, and that a noble work would have resulted, but he feared the nervous strain of such an undertaking. "I should enjoy it," he said to Rochlitz, "but I shudder at the thought of beginning works of such magnitude.
The slow movement, on the contrary, contained reminiscences of my former musical mysticism. When, in the following year, I called on Friedrich Rochlitz, at that time the 'Nestor' of the musical aesthetes in Leipzig, and president of the Gewandhaus, I prevailed upon him to promise me a performance of my work.
He had been blind and dizzy with his infatuation, sick for her to his very marrow he could only look back on those feverish weeks in June as on the horrors of a nightmare and he would not have missed a single hour of the happy days at Rochlitz. But, none the less, he had always felt a peculiar aversion to people who allowed their feelings to get the better of them. Now, he himself was one of them.
With all the energy and stubbornness of his nature, he fastened on these notions and clung to them, when, at the house of his sister, the Duchess Elizabeth, at Rochlitz, he chanced to meet and fall in love with a lady named Margaret von der Saal. She refused to be his except by marriage.
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