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There used to assemble in his rooms at the Sapienza a company of good fellows who called themselves the Company of the Paiuolo; and these, whose numbers were limited to twelve, were our Giovan Francesco, Andrea del Sarto, the painter Spillo, Domenico Puligo, the goldsmith Robetta, Aristotile da San Gallo, Francesco di Pellegrino, Niccolò Buoni, Domenico Baccelli, who played and sang divinely, the sculptor Solosmeo, Lorenzo called Guazzetto, and the painter Ruberto di Filippo Lippi, who was their proveditor.
As for the viands, the sculptors displayed their talents in moulding classical subjects in pastry, and turning boiled fowls into figures of Ulysses and Laertes. The architects built up temples and palaces of jellies, cakes, and sausages; the goldsmith, Robetta, produced an anvil and accoutrements made of a calf's head, the painters treated roast pig to represent a scullery-maid spinning.
From these little woodcuts, groups of saints round the Cross, with Giotto's tower and Brunellesco's dome in the distance, pictures of Fathers of the Church or ancient poets seated at desks in neatly panelled closets always with their globes, books, and pot of lilies, and a vista of cloisters; or battles between chaste viragos, in flying Botticellian draperies, and slim, naked Cupids; from such frontispieces Domenico passed on to larger woodcuts, destined to illustrate books never printed, or perhaps, like the so-called playing cards of Mantegna and certain prints of Robetta, to be bought as cheap ornaments for walls.
Robetta made out of a calf's head, with appurtenances formed of other fat meats, an anvil for the maintenance of the cauldron, which was very fine and very beautiful, as were also all the other contributions; not to enumerate one by one all the dishes of that supper and of many others that they gave.
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