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Updated: May 6, 2025
In the succession of her "lovers" only Patiomkin, and for a moment Gregory Orloff, acquired a position of the first political importance; and Patiomkin's was maintained long after his first relation had come to an end.
Peter, the first, as we have seen, offered a crown to Martha Skovronski, a Livonian scullery-maid, who succeeded him on the throne; the second Catherine gave her hand as well as her heart to Patiomkin, the gigantic, ill-favoured ex-sergeant of cavalry; and Elizabeth, daughter of Peter and his kitchen-Queen, proved herself worthy of her parentage when she made Alexis Razoum, a peasant's son, husband of the Empress of Russia.
She used him, it is true, as she used Orloff and Patiomkin; her good-fortune helped her as it did before, and will again; their great alliance against the Ottoman brought her everything, and him nothing. Still, no foreigner ever dazzled her as he, who could so little impose himself on his age.
Given her splendid physical constitution there is nothing prodigious about her except her good-fortune in every crisis and important action of her career. In one of his Napoleonic fits of incoherence, Patiomkin said vividly enough that the Empress and himself were "the spoilt children of God."
This is not the place to describe the campaigns of Rumaintsoff, Patiomkin, and the rest, against Sweden and the Ottomans. Her own ideas in the field of foreign policy we have already seen. After the Revolution another policy, that of spurring on Gustavus and the Western powers to a crusade against France, takes the first place.
The strangest chimeric phantasy sometimes here possesses her, hitherto prosaic enough in so many ways; and it communicates itself to men like the Orloffs, Patiomkin, Suvaroff. It is, I think, M. Leroy-Beaulieu, who remarks that in Russia the shows of things are more important than reality.
Alexis, the shepherd's son, was now, beyond any question, the most powerful man in Russia. If he would, he might easily have taken the sceptre from the yielding hands of the Empress and played the autocrat, as Patiomkin played it under similar circumstances in later years. But Alexis cared as little for power as for rank and wealth. He smiled at his honours.
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