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The "Lass o' Patie's Mill" is one of Ramsay's best songs; but there is one loose sentiment in it, which my much-valued friend, Mr. Erskine, will take into his critical consideration. In Sir J. Sinclair's statistical volumes are two claims, one I think, from Aberdeenshire, and the other from Ayrshire, for the honour of this song.

'You bade me say no more till I be of full age; nor would I, save that I were safe lodged in an abbey; then might Patrick and Lily be wedded, and he not have to leave us and seek his fortune far away in France; and in Patie's hands and leading, my vassals might be safe; but what could the doited helpless cripple do? he added, the colour rising hotly to his cheek with pain and shame.

I therefore immediately complied with their request. I gave them one or two Italian airs, and then some of our beautiful old Scots tunes, Gilderoy, The Lass o' Patie's Mill, Corn Riggs are Bonny. The pathetick simplicity and pastoral gaiety of the Scots musick will always please those who have the genuine feelings of nature.

Whether I had been frightened at the machinery when very young, of which I think I have some shadowy recollection whether I had heard the stories of the miller of Thirlestane and similar molendinar tragedies, I cannot tell; but not even recollection of the Lass of Patie's Mill, or the Miller of Mansfield, or he who "dwelt on the river Dee," have ever got over my inclination to connect gloom with a mill, especially when sun is setting.

Allan Ramsay was residing at Loudon Castle with the then Earl, father to Earl John; and one forenoon, riding or walking out together, his lordship and Allan passed a sweet romantic spot on Irwine water, still called "Patie's Mill," where a bonnie lass was "tedding hay, bareheaded on the green."