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Updated: June 21, 2025
We cannot tell exactly what pictures our painter-monk painted during those peaceful years, but we know he must have been looking out with wise, seeing eyes, drinking in all the beauty that was spread around him. At his feet lay Florence, with its towers and palaces, the Arno running through it like a silver thread, and beyond, the purple of the Tuscan hills.
It would be almost a day's journey to follow the white road that leads down from Perugia across the plain to the little hill town of Assisi, and many a spring morning saw the painter-monk setting out on the convent donkey before sunrise and returning when the sun had set.
Here they stopped to rest, and to talk for a few minutes about Fra Angelico, the painter-monk, whose name has rendered historic every spot on which he lived. Mr.
The first works of this painter-monk, who held to the manner of Taddeo Gaddi and his disciples, were in his Monastery of the Angeli, where, among many other things, he painted the panel of the high-altar, which is still seen to-day in their church, and which was completely finished, as it may be seen from letters written below on the ornament, in the year 1413, when it was set in place.
But, as it turned out, this was good fortune for the young painter-monk, for in those hill towns of Umbria where the brothers sought refuge there were pictures to be studied which delighted his eyes with their beauty, and taught him many a lesson which he could never have learned on the quiet slopes of Fiesole. The hill towns of Italy are very much the same to-day as they were in those days.
As they wandered through the long corridors, chapel, refectory, and the many little cells, now vacant, from the walls of which look forth soft, fair faces and still fresh, sweet colors laid there almost five hundred years ago by the hand of the painter-monk, they talked of his devotion, of his unselfish life and work; of his rejection of payment for his painting, doing it unto God and not unto men.
He had determined to control the Florentines so cleverly that they should not realize his tyranny. He was quite willing to spend the hoards of his ancestors on the adornment of the state he governed, and, among other things, he built the famous convent of St Mark. Fra Angelico, the painter-monk, was given the work of covering its white walls with the frescoes in which the monks delighted.
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