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Updated: June 15, 2025
In the Second, he placed between an allegretto and a scherzo a soprano setting of one of the lyrics out of "Des Knaben Wunderhorn," and concluded the work with a choral setting of one ode of Klopstock's.
There were, it is true, but slight traces of originality in a poem he wrote at this period, the hero of which was the prophet Moses, and it was due to the religious sentiment by which he was powerfully affected through Klopstock's works, that he chose such a subject.
For aught we can learn from her discourse Schiller's Louise might be a princess, brought up on a diet of Klopstock's odes. That a girl, returning from church, should inquire of her parents if her lover has called, is quite in order. That she should then confess that thoughts of him have come between her and her Creator, is pardonable.
And now he wished even more than ever that Sylvia had cared for learning; if she had he could have taken her many a pretty ballad, or story-book, such as were then in vogue. He did try her with the translation of the Sorrows of Werther, so popular at the time that it had a place in all pedlars' baskets, with Law's Serious Call, the Pilgrim's Progress, Klopstock's Messiah, and Paradise Lost.
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