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Updated: June 3, 2025
Mozart's next four operas were, for the most part, hastily written 'Mitridate, Re di Ponto' and 'Lucio Silla' for Milan, "La Finta Giardiniera' for Munich, and 'Il Re Pastore' for Salzburg. They adhere pretty closely to the conventional forms of the day, and, in spite of the beauty of many of the airs, can scarcely be said to contain much evidence of Mozart's incomparable genius.
At length he received a commission from the Elector of Bavaria, Maximilian III., to write an opera buffa for the Carnival of 1775, "La finta Giardiniera." Munich, Dec. 28, 1774. My Dearest Sister, I have my reasons for this. Munich, Dec. 30, 1774. I BEG my compliments to Roxalana, who is to drink tea this evening with the Sultan, All sorts of pretty speeches to Madlle.
On his return to Munich, after composing a comic opera in the Italian style, "La Finta Giardiniera," which had a great success, young Mozart, who had been very shabbily treated by Archbishop Hieronymus of whose spiteful conduct we shall hear more hereafter the successor of Sigismund, determined to resign his situation in the court band, and to set out on his travels again, giving concerts from place to place, and everywhere looking out for some suitable appointment that might afford him a permanent income.
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