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About that time Sir Dudley Carleton wrote to Lord Conway: "Rubens is come hither to Holland, where he now is, and Gerbier in his company, walking from town to town, upon their pretence of taking pictures, which may serve him for a few days if he dispatch and be gone; but yf he entertayne tyme here long, he will infallibly be layd hold of, or sent with disgrace out of the country ... this I have made known to Rubens lest he should meet with a skorne what may in some sort reflect upon others."

"Well!" said Jeanne, smiling sadly, "since we are neighbors in sickness, we should be friends like our two benefactresses." "Willingly: my name is Annette Gerbier, otherwise La Lorraine, washer-woman." "And mine, Jeanne Duport, fringe-maker.

He had his agents in London and elsewhere, and he desired of them a close report upon the Duke of Buckingham's movements, and the fullest particulars of his private life. Meanwhile, Buckingham had left behind him in France two faithful agents of his own, with instructions to keep his memory green with the Queen. Those agents of his were Lord Holland and the artist Balthazar Gerbier.

A portrait of Gerbier, Sir Charles Cotterel, and W. Dobson, painted by Dobson, the property of the Duke of Northumberland, was exhibited at South Kensington in 1868. For something like half-a-century after Sir Balthazar Gerbier's time we find no trace of another Art Academy in England.

In 1628, Gerbier was knighted at Hampton Court, and, according to his own account, was promised by King Charles the office of Surveyor-General of the works after the death of Inigo Jones.

As a matter of fact the children are those of Balthazar Gerbier. He also painted the S. George and the Dragon, which is now at Windsor Castle, and made the sketches for the nine pictures on the ceiling of the Banqueting Hall now the United Service Institution Museum in Whitehall.