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Updated: May 4, 2025
In a remote nook in North Wessex, forty miles from London, near the thriving county-town of Aldbrickham, there stood a pretty village with its church and parsonage, which she knew well enough, but her son had never seen. It was her native village, Gaymead, and the first event bearing upon her present situation had occurred at that place when she was only a girl of nineteen.
From the railway-station a funeral procession was seen approaching: it passed his door and went out of the town towards the village of Gaymead. The man, whose eyes were wet, held his hat in his hand as the vehicles moved by; while from the mourning coach a young smooth-shaven priest in a high waistcoat looked black as a cloud at the shop keeper standing there. December 1891.
The probable drift of the subdued conversation which followed was made plain by the churchwarden breaking into an anecdote, in a voice that everybody in the church could hear, though obviously suggested by the present situation: "Well, now, it is a curious thing, but my grandfather told me a strange tale of a most immoral case that happened at the painting of the Commandments in a church out by Gaymead which is quite within a walk of this one.
She looked out for him again. His being an old-fashioned conveyance, with a yellow front, it was easily recognizable, and on the third night after she saw it a second time. The man alongside was, as she had fancied, Sam Hobson, formerly gardener at Gaymead, who would at one time have married her.
In answer to her curious inquiry, he admitted that he had come to this particular district because he had seen in the Aldbrickham paper, a year or two before, the announcement of the death in South London of the aforetime vicar of Gaymead, which had revived an interest in her dwelling-place that he could not extinguish, leading him to hover about the locality till his present post had been secured.
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