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Rizal had now done all that he could for his country; he had shown them by Morga what they were when Spain found them; through "Noli Me Tangere" he had painted their condition after three hundred years of Spanish influence; and in "El Filibusterismo" he had pictured what their future must be if better counsels did not prevail in the colony.
The little boy spent also much of his time in the church, which was conveniently near, but when the mother suggested that this might be an indication of religious inclination, his prompt response was that he liked to watch the people. To how good purpose the small eyes and ears were used, the true-to-life types of the characters in "Noli Me Tangere" and "El Filibusterismo" testify.
He now occupied himself in finishing the sequel to "Noli Me Tangere," the novel "El Filibusterismo," which he had begun in October of 1887 while on his visit to the Philippines.
Beckett to him, "The Life and Adventures of Valentine Vox the Ventriloquist," indicated the interest his friends took in this amusement. One of his own purchases was "Modern Magic," the frontispiece of which is the sphinx that figures in the story of "El Filibusterismo."
El Filibusterismo, the second of José Rizal's novels of Philippine life, is a story of the last days of the Spanish régime in the Philippines. Under the name of The Reign of Greed it is for the first time translated into English.
After a short residence in Japan, he went to London, where he published a work on the History of the Philippine Islands. About the same time a sequel to "Noli Me Tangere," entitled "El Filibusterismo," was published. The hatred of the priests against him was further inflamed by this production, and the government in Manila was forced by the friars to forbid the circulation of any of his writings.
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