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"I don't know if anything is the matter with her, but that is the old biplane they call the 'bad bus. She has given more than one man a spill, sir. Everything goes well with her for a while and then she plays a trick on someone. Last time I saw her cutup she side-slipped without any explanation for it. Some of us have got the idea that she has always got to be watched for sideslip.

With the script under his arm he staggers to the manager's office. The manager reads the script smiles chuckles thoroughly enjoys it. Then a cloud passes athwart his brow. "There's only one thing the matter with this piece," he says. "You seem to have written it to star a comedian." "But you said you wanted it for Jasper Cutup," gasps the author, supporting himself against the water-cooler.

He hunts for another manager who wants something musical, and at length finds one. The only proviso is that this manager does not need a piece built around two stars, but one suited to the needs of Jasper Cutup, the well-known comedian, whom he has under contract. The personality of Jasper is familiar to the author, so he works for a month or two and remoulds the play to fit him.

Her mother's eyes, following the slim figure, had a sort of grudging love in them. A spare, caustic, wiry little woman, Tessie's mother. Tessie resembled her as a water color may resemble a blurred charcoal sketch. Tessie's wide mouth curved into humor lines. She was the cutup of the escapement department at the watch factory; the older woman's lips sagged at the corners.

The boy held on to the hussar with cold, red hands, and raising his eyebrows gazed about him with surprise. This was the French drummer boy captured that morning. Behind them along the narrow, sodden, cutup forest road came hussars in threes and fours, and then Cossacks: some in felt cloaks, some in French greatcoats, and some with horsecloths over their heads.