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Updated: June 26, 2025
This unfortunate feud with Buerger grew out of a magisterial review published by Schiller in 1791; a review which, while dignified in tone and purporting to speak solely in the interest of the lyric art, amounted to a scathing condemnation of Buerger's character.
Buerger, he stated, was well aware of, but was too high-minded to disclose the real authorship.
An early and persistent version of the genesis of the travels was that they took their origin from the rivalry in fabulous tales of three accomplished students at Goettingen University, Buerger, Kaestner, and Lichtenberg; another ran that Gottfried August Buerger, the German poet and author of "Lenore," had at a later stage of his career met Baron Munchausen in Pyrmont and taken down the stories from his own lips.
He also wrote translations of several of the poems of Ossian, and a disquisition upon their genuineness; and then with better inspiration he wrote a considerable treatise on "Percy's Reliques of Ancient Poetry," with metrical translations, being thus the first to call the attention of Germany to these admirable poems, which were afterwards so successfully ransacked by Buerger, Herder, and other early German romanticists.
In writing it, as a matter of fact, he was only breaking the rod over his own early self; for in his Stuttgart 'Anthology' he had committed nearly every sin for which now, from the serene heights of a better artistic insight, he castigated his victim. To poor Buerger, whose life was just then bitter enough at the best, the review was a terrible blow.
Reinhard, in an answer to an attack made upon his hero for bringing out Munchausen as a pot-boiler in German and English simultaneously, definitely stated in the Berlin Gesellschafters of November 1824, that the real author of the original work was that disreputable genius, Rudolph Erich Raspe, and that the German work was merely a free translation made by Buerger from the fifth edition of the English work.
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