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Updated: May 2, 2025
King Eshmun-'zar was not unique in his choice of burial in an Egyptian coffin, for he merely followed the example of his royal father, Tabnîth, "priest of 'Ashtart and king of the Sidonians", whose sarcophagus, preserved at Constantinople, still bears in addition to his own epitaph that of its former occupant, a certain Egyptian general Penptah.
And he does well; the title Princess belongs of right to 'Shabbath. For the name be it said in passing is probably a corruption of a title of the Mother-goddess Ashtart, and it would, I think, have been no blameworthy act if the religious transformers of Israelite myths had made a special myth, representing Shabbath as a man. When the Messiah comes, I trust that He will do this.
The service in ancient times was not regarded as degrading; on the contrary, maidens of the noblest families were sometimes so dedicated, and the rôle of devotee might be continued in a family for generations. Such service was sometimes a necessary preliminary to marriage. In Byblos a woman who refused to sacrifice her hair to Ashtart on a certain festival day had to yield herself to a stranger.
But more instructive than these borrowed memorials is a genuine example of Phoenician work, the stele set up by Yehaw-milk, king of Byblos, and dating from the fourth or fifth century B.C. In the sculptured panel at the head of the stele the king is represented in the Persian dress of the period standing in the presence of 'Ashtart or Astarte, his "Lady, Mistress of Byblos". There is no doubt that the stele is of native workmanship, but the influence of Egypt may be seen in the technique of the carving, in the winged disk above the figures, and still more in the representation of the goddess in her character as the Egyptian Hathor, with disk and horns, vulture head-dress and papyrus-sceptre.
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