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Updated: May 26, 2025
In any case, however, it is not in Morocco that the clue to Moroccan art is to be sought; though interesting hints and mysterious reminiscences will doubtless be found in such places as Tinmel, in the gorges of the Atlas, where a ruined mosque of the earliest Almohad period has been photographed by M. Doutté, and in the curious Algerian towns of Sedrata and the Kalaa of the Beni Hammads.
Thus the Almohad portions of the walls of Fez and Rabat are built of stone, while later parts are of rubble; and the touch of European influence in certain gateways of Meknez and Fez at once situate them in the seventeenth century.
Almost on a level with us lies the upper city, the aristocratic Fez Eldjid of painted palaces and gardens, then, as the houses close in and descend more abruptly, terraces, minarets, domes, and long reed-thatched roofs of the bazaars, all gather around the green-tiled tomb of Moulay Idriss and the tower of the Almohad mosque of El Kairouiyin, which adjoin each other in the depths of Fez, and form its central sanctuary.
Arab conquerors always destroy as much as they can of the work of their predecessors, and nothing remains, as far as is known, of Almoravid architecture in Morocco. But the great Almohad Sultans covered Spain and Northwest Africa with their monuments, and no later buildings in Africa equal them in strength and majesty.
The European town of Rabat, a rapidly developing community, lies almost wholly outside the walls of the old Arab city. The latter, founded in the twelfth century by the great Almohad conqueror of Spain, Yacoub-el-Mansour, stretches its mighty walls to the river's mouth. Great crenellated ramparts, cyclopean, superb, follow the curve of the cliff.
The earlier dynasties, and especially the great Almohad Sultans, were on friendly terms with the Catholic powers of Europe, and in the thirteenth century a treaty assured to Christians in Africa full religious liberty, excepting only the right to preach their doctrine in public places.
The Almohad conquerors who built the Koutoubya and embellished Marrakech dreamed a dream of beauty that extended from the Guadalquivir to the Sahara; and at its two extremes they placed their watch-towers. The Giralda watched over civilized enemies in a land of ancient Roman culture, the Koutoubya stood at the edge of the world, facing the hordes of the desert.
In the fourteenth century the Sultan Abou Hassan tried to piece together the scattered bits of the Almohad empire. Tlemcen was finally taken, and the whole of Algeria annexed. But in the plain of Kairouan, in Tunisia, Abou Hassan was defeated by the Arabs. Meanwhile one of his brothers had headed a revolt in Morocco, and the princes of Tlemcen won back their ancient kingdom.
Yacoub-el-Mansour was the fourth of the great Almohad Sultans who, in the twelfth century, drove out the effete Almoravids, and swept their victorious armies from Marrakech to Tunis and from Tangier to Madrid. His grandfather, Abd-el-Moumen, had been occupied with conquest and civic administration.
He was a builder as well as a fighter, and the noblest period of Arab art in Morocco and Spain coincides with his reign. After his death, the Almohad empire followed the downward curve to which all Oriental rule seems destined. The Beni-Merins or Merinids were nomads who ranged the desert between Biskra and the Tafilelt. It was not a religious upheaval that drove them to the conquest of Morocco.
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