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Updated: May 21, 2025
But as yet she was ignorant in this matter, and therefore fell considerably in the children's estimation. Alary was somewhat hurt by noticing, perhaps for the first time, Sagastao and Minnehaha whispering confidentially to each other. The children conversed with Mary only in her own language, which at that time they perhaps understood better than they did English.
During the short period of these new performances at Her Majesty's Theatre, which was not equivalent to two complete Opera seasons, not merely did Madame Sontag go through the range of her old characters Susanna, Rosina, Desdemona, Donna Anna, and the like but she presented herself in seven or eight operas which had not existed when she left the stage Bellini's Sonnambula, Donizetti's Linda, La Figlia del Reggimento, Don Pasquale; Le Tre Nozze, of Signor Alary, La Tempesta, by M. Halévy the last two works involving what the French call 'creation, otherwise the production of a part never before represented.
His brother, the Chevalier de Montaigu, 'gentilhomme de la manche' to the dauphin, was acquainted with these ladies, and with the Abbe Alary of the French academy, whom I sometimes visited. Madam de Broglie having heard the ambassador was seeking a secretary, proposed me to him. A conference was opened between us.
His brother, the Chevalier de Montaigu, 'gentilhomme de la manche' to the dauphin, was acquainted with these ladies, and with the Abbe Alary of the French academy, whom I sometimes visited. Madam de Broglie having heard the ambassador was seeking a secretary, proposed me to him. A conference was opened between us.
The Hôtel des Princes at Aix is justly to be praised for cleanliness and excellent accommodations; but Madame Alary is too well aware of its merits to lose by them.
Not merely did she go through the entire range of her old parts, Susanna, Moslna, Desdemona, Donna Anna, etc., but she presented herself in a number of new works which did not exist at her farewell to the stage Bellini's "Sonnambula," Donizetti's "Linda," "La Figlia del Reggimento," "Don Pasquale," "Le Tre Nozze" of Alary, and Ilalévy's "La Tempesta"; indeed, in the latter two creating the principal rôles.
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