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Mis à jour: 18 juin 2025
You are kindly requested to address to the nearest Newspaper office these news desired with the utmost impatience by the families of the travellers in the balloon LE G
We are told that the sultan Mahrnoud by his perpetual wars Par un phénomène bizarre d
The scene purports to be laid in the Court of Henry II.; but the manners and the personages, apart from their names are all those of the Court of Louis XIV. Certain critics have endeavored to trace the character of Mme. de La Fayette in that of the Princess of Clèves, of M. de La Rochefoucauld in that of M. de Nemours; but too strict an autobiographical interpretation destroys the charm of the story.
PREMIER CITOYEN. We are accounted poor citizens; The patricians good. Good signifie
[Note 6: As flatteries when they are seen abused. Les commentateurs n'ont pu s'accorder sur ce passage, et aucun ne paraît l'avoir entendu dans son vrai sens, que je crois être mot
Alas, our frailty is the cause, not we, For such as we are made of, such we be. Ce fut avec un plaisir d'enfant que pendant une heure Julien assembla des mots. Comme il sortait de sa chambre, il rencontra ses élèves et leur mère; elle prit la lettre avec une simplicité et un courage dont le calme l'effraya. La colle
57 20 aux Platanes: = au restaurant des Platanes, cf. 56 20. 58 4 Bon! 'that's nothing! vous n'êtes pas homme: 'you are not the sort of man. 58 5 on ...
What is said is not always true. 2. Tartarin must have started with joy on debarking from the Zouave. 3. What is floating in the air îs not what you think. 4. Who are on the shore? 5. I can scarcely see what there is in the nets which the sailors are pulling in. 6. There was a Moor smoking his pipe on the quay. 7.
Where sadness does not dominate in Daudet, irony takes its place. These two qualities, sadness which is inspired by pity for human suffering and irony which betrays impatience with human folly, these two qualities which are the heart and soul of Daudet's work are the enemies of that impassiveness which is the indispensable attitude of the realist, and which Daudet tried in vain to acquire.
The illustrations in the following articles are of interest: J. A. HAMMERTON, "The Town of Tartarin," in The Critic, vol. 47, pp 317 ff.
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