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At the convent of Marchiennes, considered by contemporaries the most beautiful abbey in all the Netherlands, they halted to sing the ten commandments in Marot's verse. Hardly had the vast chorus finished the precept against graven images; Taiiler ne to feras imaige De quelque chose que ce soit, Sy bonneur luy fail on hommaige, Bon Dieu jalousie en recoit,
"yeux menteurs, l'hypocrisie Des serrements de mains, La masque d'amitié cachant la jalousie, Les pâles lendemains De ces jours de triomphe"... of which M. Saint-Saëns in his little volume of verse complains somewhat pompously, were unknown to César Franck. For this man, even in the years of his prime, there were only the humiliations, the disappointments that are the lot of uncomprehended genius.
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