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Updated: May 23, 2025
"Oh, hang Professor Wildmarsh!" said Keniston, softening the commination with a smile. "If my pictures are good for anything they oughtn't to need explaining." Mrs. Davant stared. "But I thought that was what made them so interesting!" she exclaimed. Keniston looked down. "Perhaps it was," he murmured.
Mrs. Davant persisted. "I know Professor Wildmarsh and Professor Driffert and all the other critics think that Mr. She stretched an impulsive hand to Claudia. "You ought to let him go, Mrs. Keniston!" Claudia accepted the admonition with the philosophy of the wife who is used to being advised on the management of her husband. "I sha'n't interfere with him," she declared; and Mrs.
Thus there gradually grew up a small circle of connoisseurs known in artistic, circles as men who collected Kenistons. Professor Wildmarsh, of the chair of Fine Arts and Archaeology, was the first critic to publish a detailed analysis of the master's methods and purpose.
"Well, I sha'n't close I shall be here," he declared with an effort at playfulness. "If they want to see me all these people you're kind enough to mention won't there be other chances?" "But I wanted them to see you among your pictures to hear you talk about them, explain them in that wonderful way. I wanted you to interpret each other, as Professor Wildmarsh says!"
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