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They peopled the earth with gnomes and cobolds and giants, and their nymphs were the Valkyre. Their God was Thor, of the thunderbolt and hammer, and who yet lived in continual dread of the hostile powers of Nature. A Norse prophet or prophetess standing beside Elijah at Horeb would have bowed down before the earthquake or the fire; the oriental waited for the "still small voice."
The scene is preluded with an orchestral number, well known in the concert-room as the "Ride of the Valkyres," which is based upon two motives, the Valkyre's call and the Valkyre melody. In picturesque description of the rush and dash of steeds, amid which are heard the wild cries of the sisters, "The Ride" is one of the most powerful numbers ever written.
The answer does not avail, and he condemns her to sleep by the wayside, the victim of the first who passes. She passionately pleads for protection against dishonor, and the god consents. Placing her upon a rocky couch and kissing her brow, he takes his farewell of her in a scene which for majestic pathos has never been excelled. One forgets Wotan and the Valkyre.
Eagerly he asks, "Shall I find in Walhalla my own father Wälse?" and she answers, "The Volsung shall find his father there." With passionate earnestness he asks, "Shall Siegmund there embrace Sieglinde?" The Valkyre replies, "The air of earth she still must breathe. Sieglinde shall not see Siegmund there." Then furiously answers Siegmund, "Then farewell to Walhalla!
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