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Although large and more ornate, the Palladian window above the entrance to Independence Hall on the Independence Square side is more like that found in domestic architecture. All three of its lower sashes are sliding. The central window consists of a twenty-four-paned lower sash and an upper sash with twenty-one ornamental-shaped panes forming the round top above twenty-four rectangular panes.

On the upper story the windows are twenty-four-paned and square-headed with gauged brick arches and marble keystones. Under the central front window over the entrance there is a handsome wrought-iron fire balcony.

Interest focuses upon the deeply recessed doorway with its sturdy Tuscan columns and pediment, and the great, attractively paneled door. The fenestration is admirable with twenty-four-paned windows set in handsome frames with architrave casings and beautifully molded sills, the lower windows having shutters and the upper ones blinds.

Across the one hundred and seven feet of the Chestnut Street façade there is a range of nine broad, high, twenty-four-paned windows with flat gauged brick arches and high marble keystones, the central window being replaced by a simple, very high and deeply recessed doorway with a broad stone stoop before it. Tying into the keystones is a horizontal belt of marble across the entire front.

The great twenty-four-paned ranging windows have heavy paneled shutters on the first floor and blinds on the second. Tall, slender, engaged columns supporting a nicely detailed entablature frame a typical Philadelphia doorway, the paneled door itself being single with a handsome leaded fanlight above. Loudoun was built in 1801 by Thomas Armat as a countryseat for his son, Thomas Wright Armat.

The building is in the form of a Greek cross with four projecting gable ends and an octagonal cupola of graceful design and proportions at the center of the roof. It is of characteristic Philadelphia brickwork, with handsomely cased twenty-four-paned windows shuttered on the lower floor.