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Updated: June 12, 2025
He carried in a kitchen chair and scrambled up on it. His eyes were on a level with the shelf, and there sat two beautiful brown pies beside the cake box. Sunny poked a small, fat finger into the nearest one to taste it. It was very good, though he did not "remember" the taste. My, how soury it was! Grandma had baked two rhubarb pies.
Then said my jolly Panurge: 'Jona andie guaussa goussy etan beharda er remedio beharde versela ysser landa. Anbat es otoy y es nausu ey nessassust gourray proposian ordine den. Non yssena bayta facheria egabe gen herassy badia sadassu noura assia. Aran hondavan gualde cydassu naydassuna. Estou oussyc eg vinan soury hien er darstura eguy harm.
VII, January 1875, might appropriately be introduced into this preface, but would scarcely be possible without entering more deeply into the ever-disputed question, which will be answered elsewhere, whether the historical romance is ever justifiable. Yet I cannot refrain from informing Monsieur Soury here that "An Egyptian Princess" detained me from no other work.
Having my attention called away, I asked M. Soury to look through the book for me, as I was anxious to have his impression of it. He replied to me in the following terms: "I have been a long time in telling you what I think of the Comte de Valmont. The fact is that it was only by an heroic effort that I managed to finish it. Not but what this work is honestly conceived and fairly well written.
Monsieur Soury says romance is the mortal enemy of history; but this sentence may have no more justice than the one with which I think myself justified in replying: Landscape painting is the mortal enemy of botany. The historical romance must be enjoyed like any other work of art.
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