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Updated: May 17, 2025
He said, too, that Master Silvain's cows were not a bit like those of his own country, which were small, and had horns like pointed spindles. The Villevieille cows were big, strong animals with rough crumpled horns. He was very fond of them and used to call each one by name when he talked to them. The one he liked best was a beautiful white cow which Master Silvain had bought in the spring.
The danger of this method is that it is apt to turn poetry into a kind of bad logic. There, precisely, is the danger of the French conception of poetry, and M. Silvain's method brings out the worst faults of that conception. Now in speaking verse to musical notes, as Mr. Yeats would have us do, we are at least safe from this danger. Mr. Yeats, being a poet, knows that verse is first of all song.
They think of nothing but what they take to be the expression, and when they come to a passage of purely lyric quality they give it as if it were a quotation, having nothing to do with the rest of the speech. Anything is better than this haphazard way of misdoing things, either M. Silvain's oratory or the intoning into which Mr. Yeats' method would almost certainly drift.
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