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Updated: June 4, 2025
There were some slight recoveries of friendship and of the old life Hudson Dula, Jerry Mathews, who had moved to Newark; William McConnell, Philip Shotmeyer. MacHugh and Smite were away, one painting in Nova Scotia, the other working in Chicago. As for the old art crowd, socialists and radicals included, Eugene attempted to avoid them as much as possible.
Eugene was not given to scraping odd acquaintances, though he made friends fast enough when the balance of intellect was right. In Chicago he had become friendly with several young artists as a result of working with them at the Institute, but here he knew no one, having come without introductions. He did become acquainted with his neighbor, Philip Shotmeyer.
"Isn't that fine," said his floor-mate, without a trace of envy. "Well, I'm glad. I thought they'd like it." Eugene could have cried. Poor Shotmeyer! He wasn't a good artist, but he had a good heart. He would never forget him.
He stayed away from the smaller magazines in the hope that he would soon be able to contribute to the larger ones, but they were not eagerly seeking new artists. He met, through Shotmeyer, two artists who were living in one studio in Waverly Place and took a great liking to them.
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