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I loathed that picture of him, constantly present to me, of his shivering the glass of Ottilia's semi-classical night-lamp, gravely asking her pardon, and stretching the flame to the curtain, with large eyes blazing on the baroness. The stupid burlesque majesty of it was unendurable to thought.

I loathed that picture of him, constantly present to me, of his shivering the glass of Ottilia's semi-classical night-lamp, gravely asking her pardon, and stretching the flame to the curtain, with large eyes blazing on the baroness. The stupid burlesque majesty of it was unendurable to thought.

Almost every one is a compiler of scraps from the fathers, or from such semi-classical authors as Boethius, Cassiodorus, or Martinus Capella. If we look at the ministers of the Church, the old story of tyranny and vice is told over again during this century.

The arena was then cleared amidst much applause, and the dead hobbyhorses dragged solemnly away by two Moorish pages in yellow and black liveries, and after a short interlude, during which a French posture-master performed upon the tightrope, some Italian puppets appeared in the semi-classical tragedy of Sophonisba on the stage of a small theatre that had been built up for the purpose.

Though his teaching was essentially only a repetition of that in Heinse's Ardinghello, the forces that then surged in young breasts were given full and eloquent expression. The guiding spirit of this tendency was followed in literary criticism, which was aimed mainly at the supposed or actual incapacity of the semi-classical occupants of our various literary thrones.

The arena was then cleared amidst much applause, and the dead hobby-horses dragged solemnly away by two Moorish pages in yellow and black liveries, and after a short interlude, during which a French posture-master performed upon the tightrope, some Italian puppets appeared in the semi-classical tragedy of Sophonisba on the stage of a small theatre that had been built up for the purpose.

It has something of and perhaps, though in far transposed matter, owes something to Esmond in its daring blend of old and new, and it falls short of that wonderful creation. But it is almost a second to it: and, with plenty of faults, is perhaps the only classical or semi-classical novel of much value in English.