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Updated: May 2, 2025
There are some vices whose grotesqueness stirs us more deeply than downright atrocities, and we read of certain puerilities avowed by Rousseau, with a livelier impatience than old Benvenuto Cellini quickens in us, when he confesses to a horrible assassination. This morbid form of self-feeling is only less disgusting than the allied form which clothes itself in the phrases of religious exaltation.
Transition between background and foreground has dropped. Between the objects of attention in the foreground it has no meaning, because the foreground is an indissoluble unity. With that object the self must feel itself one, since the distinctive self-feeling has disappeared with the opportunity for transition.
The exaltation of the opening page of the Confessions is shocking. No monk nor saint ever wrote anything more revolting in its blasphemous self-feeling. But the exaltation almost instantly became calm, when the course of the story necessarily drew the writer into dealings with objective facts, even muffled as they were by memory and imagination.
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