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If he wishes to describe an eagle, he need not say: "A rapacious bird of the falcon family, remarkable for its strength, size, graceful figure, and extraordinary flight." He represents these facts by making a picture: "He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands.

'Twas an open space we had to cross, dotted with gorsebushes; and the enemy's regiments, plain to see, drawn up in battalia on the slope above, which here was gentler than to the south and west. But hardly had we gone ten yards than I saw a puff of white smoke above, then another, and then the summit ring'd with flame; and heard the noise of it roaring in the hills around.

As an example of successful pieces of this kind, consider MacDowell's "The Eagle." It is the musical realization of Tennyson's well-known poem: "He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls."

If the children was playin' 'Jinny, Put the Kittle on, Dick would git kissed ten times to any other boy's once; and if it was 'Drop the Handkerchief, every little gyirl in the ring'd be droppin' it behind Dick to git him to run after her, and that was the only time Dick ever did any runnin'. All he had to do was jest to sit still, and the gyirls did the runnin'. It was that way all his life; and folks used to say there was jest one woman in the world that Dick couldn't make a fool of, and that was his cousin Penelope, the old Squire's brother's child.