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She had beautiful eyes, a knowledge of how to dress, and a pleasant disposition, cankered just a little by a perpetual dread of the non-recognition of her genius. As the woman, Augusta Smith, she probably would have been unreservedly happy; as the super-woman, Rhapsodic Pantril, she lived within the border-line of discontent.
A tone of literary distinction was imparted to the group by the presence of Augusta Smith, better known under her pen-name of Rhapsodic Pantril, author of a play that had had a limited but well-advertised success in Sheffield and the United States of America, author also of a book of reminiscences, entitled "Things I Cannot Forget."
He has, I feel certain, a sense of his responsibility." "He is a nice boy," said the Grafin simply; "he has such pretty hair." In one of the window recesses Rhapsodie Pantril was talking vaguely but beautifully to a small audience on the subject of chromatic chords; she had the advantage of knowing what she was talking about, an advantage that her listeners did not in the least share.
The dancer gravely bowed her thanks; in marked contradistinction to the gentleman who had "presented" the performing wolves she did not permit herself the luxury of a smile. "It teaches us a great deal," said Rhapsodic Pantril vaguely, but impressively, after the Fern dance had been given and applauded.
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