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Updated: June 15, 2025
The result of it was to prove that there were many more things in the composition of a woman who, as Niedermeyer said, had lodged her imagination in the place of her heart than were dreamt of in my philosophy. Yet, as I sat there stroking my hat and balancing the account between nature and art in my affable hostess, I felt like a very competent philosopher.
"This is another anecdote. The other day, Unter den Linden, I saw on a bookseller's counter a little pink-covered romance 'Sophronia, by Madame Blumenthal. Glancing through it, I observed an extraordinary abuse of asterisks; every two or three pages the narrative was adorned with a portentous blank, crossed with a row of stars." "Well, but poor Clorinda?" I objected, as Niedermeyer paused.
In 1853, Louis Niedermeyer founded in Paris an École de musique religieuse et classique, which strove "to form singers, organists, choir-masters, and composers of music, by the study of the classic works of the great masters of the fifteenth, sixteenth, and seventeenth centuries." This school, subsidised by the State, was a nursery for some real musicians.
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